It follows its titular protagonist, Maurice Hall-“a mediocre member of a mediocre school”-as he discovers his desires for other men. Maurice, his most autobiographical book, was written in 1914. Forster, born on New Year’s Day, 1879, documented the emergence of modern England through the foibles and failures of those that lived (like Forster himself) on the outskirts of the upper-class. The most obvious point of reference for Barrow’s character can be found in E. A rejection of the past was so fundamental to this period that we still refer to the artistic flourishing of this moment as “Modernism,” despite it now being 100 years ago. World War I was still “the war to end all wars,” the Roaring Twenties were ratcheting up to the Great Depression, and the last vestiges of Victorianism were being thrown out the Overton window.
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The post-Edwardian moment- Downton Abbey opens in 1912, with news of the sinking of the Titanic the movie takes the story all the way up to 1927-was an era of tremendous upheaval in Western culture.
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It’s an exciting tale set in an exciting period. In the film, audiences will see Barrow in the context of a wider gay world for the first time: visiting a secret gay bar, dodging police harassment, and possibly even finding love. “I think what we've done with Thomas in the story is tried to reflect how scary it was,” says Alastair Bruce, who worked as the historical advisor to the show, and is reprising that role with the new Downton movie, in theaters September 20.